To borrow a phrase popularised Natalie Imbruglia, I’m torn. The latter stages of this decade have become an all-consuming tsunami of pop-culture defining cinema that, for many reasons, I’m struggling to appreciate the further the wave crests. Hollywood studio Disney, for so long the paragon of family entertainment and now one of the world’s leading corporate behemoths, is responsible for my despair; not for its size or omnipresent presence within our society, but for what appears to be a streak of capitalist cannibalism overtaking it. And to again borrow from…
Read MoreThe Genie Is Out: The Alternative Disney Renaissance
