{"id":60335,"date":"2020-09-21T20:50:56","date_gmt":"2020-09-21T11:20:56","guid":{"rendered":"https:\/\/www.fernbyfilms.com\/?p=60335"},"modified":"2020-09-21T20:58:02","modified_gmt":"2020-09-21T11:28:02","slug":"movie-review-ava-2020","status":"publish","type":"post","link":"https:\/\/www.fernbyfilms.com\/2020\/09\/21\/movie-review-ava-2020\/","title":{"rendered":"Movie Review &#8211; Ava (2020)"},"content":{"rendered":"<h5 style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-60340\" src=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/Ava-2020-Review-Logo.jpg\" alt=\"\" width=\"984\" height=\"394\" srcset=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/Ava-2020-Review-Logo.jpg 984w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/Ava-2020-Review-Logo-768x308.jpg 768w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/Ava-2020-Review-Logo-508x203.jpg 508w\" sizes=\"auto, (max-width: 984px) 100vw, 984px\" \/><\/h5>\n<h5><strong>Principal Cast : <\/strong>Jessica Chastain, John Malkovich, Common, Geena Davis, Colin Farrell, Ioan Gruffud, Joan Chen, Diana Silvers, Jess Weixler, Joe Sobalo Jr.<br \/>\n<strong>Synopsis:<\/strong> Ava is a deadly assassin who works for a black ops organization, traveling the globe specializing in high profile hits. When a job goes dangerously wrong she is forced to fight for her own survival.<\/h5>\n<p style=\"text-align: center;\">********<\/p>\n<p>Potboiler assassin thrillers don&#8217;t come less thrilling than <em>Ava<\/em>, this hugely average actioner from <a href=\"https:\/\/www.fernbyfilms.com\/2012\/07\/05\/movie-review-the-help\/\"><em>The Help<\/em> <\/a>director Tate Taylor. Led by a perpetually baffled Jessica Chastain as Ava, the titular Jason Bourne-esque assassin character, the film offers incomprehensible fight choreography and routine, generic plotting mixed with terrible dialogue and second-rate acting from what ought to have been an A-list cast. Frankly, <em>Ava<\/em> is a terrible disappointment.<\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-60341\" src=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-jessica-chastain.jpg\" alt=\"\" width=\"1800\" height=\"1012\" srcset=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-jessica-chastain.jpg 1800w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-jessica-chastain-500x280.jpg 500w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-jessica-chastain-768x432.jpg 768w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-jessica-chastain-1536x864.jpg 1536w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-jessica-chastain-1240x697.jpg 1240w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-jessica-chastain-508x286.jpg 508w\" sizes=\"auto, (max-width: 1800px) 100vw, 1800px\" \/><\/p>\n<p>Ava Faulkner (Chastain &#8211; <em><a href=\"https:\/\/www.fernbyfilms.com\/2015\/03\/18\/movie-review-interstellar\/\">Interstellar<\/a>, <a href=\"https:\/\/www.fernbyfilms.com\/2016\/02\/23\/movie-review-martian-the\/\">The Martian<\/a><\/em>) works as an assassin for a shadowy covert organisation run by a man named Simon (Colin Farrell &#8211; <em>Minority Report, <a href=\"https:\/\/www.fernbyfilms.com\/2019\/07\/03\/movie-review-dumbo-2019\/\">Dumbo<\/a><\/em>), and is handled by Duke (John Malkovich &#8211; <em>Con Air<\/em>). She is estranged from her family, ex-fianc\u00e9e Michael (Common &#8211; <a href=\"https:\/\/www.fernbyfilms.com\/2017\/06\/15\/movie-review-john-wick-chapter-2\/\"><em>John Wick: Chapter 2<\/em><\/a>), sister Judy (Jess Weixler &#8211; <em>It Chapter Two<\/em>) and mother Bobbi (Geena Davis &#8211; <a href=\"https:\/\/www.fernbyfilms.com\/2016\/09\/21\/movie-review-long-kiss-goodnight-the\/\"><em>The Long Kiss Goodnight<\/em><\/a>) due to a history of alcoholism, which causes a friction when her past starts to catch up with her. Simon, who sees Ava as a liability, wants her killed, but the plucky woman turns the tables and starts to exact bloody revenge on those who seek her demise.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-60344\" src=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/MV5BNDc3MDcxZDgtNGI2Zi00ZmE2LTkzMGUtMDkwYmM1Mzg3YWI1XkEyXkFqcGdeQXVyNjUwNzk3NDc@._V1_.jpg\" alt=\"\" width=\"1360\" height=\"560\" srcset=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/MV5BNDc3MDcxZDgtNGI2Zi00ZmE2LTkzMGUtMDkwYmM1Mzg3YWI1XkEyXkFqcGdeQXVyNjUwNzk3NDc@._V1_.jpg 1360w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/MV5BNDc3MDcxZDgtNGI2Zi00ZmE2LTkzMGUtMDkwYmM1Mzg3YWI1XkEyXkFqcGdeQXVyNjUwNzk3NDc@._V1_-768x316.jpg 768w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/MV5BNDc3MDcxZDgtNGI2Zi00ZmE2LTkzMGUtMDkwYmM1Mzg3YWI1XkEyXkFqcGdeQXVyNjUwNzk3NDc@._V1_-1240x511.jpg 1240w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/MV5BNDc3MDcxZDgtNGI2Zi00ZmE2LTkzMGUtMDkwYmM1Mzg3YWI1XkEyXkFqcGdeQXVyNjUwNzk3NDc@._V1_-508x209.jpg 508w\" sizes=\"auto, (max-width: 1360px) 100vw, 1360px\" \/><\/p>\n<p><em>Ava&#8217;s<\/em> turgid history is mired in controversy. Usually, films with a troubled production turn out to be patchy at best, and poor at worst. Ava is a masterclass in production-woe terribleness; the film was initially intended to be directed by Aussie actor Matthew Newton, before he was accused of multiple counts of assault and domestic violence by then-girlfriend and fellow actress Brooke Satchwell in 2018, at which point he was removed and replaced by Tate Taylor (<a href=\"https:\/\/www.fernbyfilms.com\/2017\/03\/02\/movie-review-girl-on-the-train-the-2016\/\"><em>The Girl on The Train<\/em><\/a>). Although credited as the film&#8217;s writer, Newton&#8217;s join-the-dots cliched turn with the plotting, dialogue and characters is astoundingly dumb, not to mention dull: you&#8217;d never think a guy with his creative ability (despite his allegedly violent actions off-screen) could come up with such a rote, generic story and mundane dialogue. With the film landing in Hollywood purgatory (it was shot in 2018 and only released this year, sitting on a shelf for a year or so waiting for release) you&#8217;d be forgiven for thinking <em>Ava<\/em> is utter tripe. You&#8217;d be correct, because <em>Ava<\/em> <span style=\"text-decoration: underline;\">is<\/span> utter tripe.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-60345\" src=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/screenshot_7_60251.jpg\" alt=\"\" width=\"600\" height=\"337\" srcset=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/screenshot_7_60251.jpg 600w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/screenshot_7_60251-500x280.jpg 500w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/screenshot_7_60251-508x285.jpg 508w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>If I had to describe <em>Ava<\/em> in a single word, that word would be <em>insipid<\/em>. The film follows all manner of assassin film tropes and can&#8217;t be bothered doing them well, it&#8217;s so blindingly dull. The plot, such as it is, features charisma-free turns by both Farrell and Malkovich, a what-is-she-doing-in-this appearance by a should-know-better Geena Davis, and a confused, meandering performance by a normally excellent Jessica Chastain. That Chastain would choose a project like this to attempt to solidify her mainstream success isn&#8217;t in question: these films often go gangbusters and offer an actress better known for solid drama a chance to step into the action-heroine genre with some frenetic fight sequences. It&#8217;s only when things go so wrong so early and often that this choice seems counter to Chastain&#8217;s particularly stylish screen presence; to me, the actress appears to want to channel a young Angelina Jolie circa <em>Mr &amp; Mrs Smith<\/em>, but ends up with the action-film equivalent of Halle Berry in <em>Catwoman<\/em>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-60343\" src=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/\u0410\u0433\u0435\u043d\u0442-\u0415\u0432\u0430-2020-Ava-\u043a\u0430\u0434\u0440\u044b-\u0444\u0438\u043b\u044c\u043c\u0430-\u0414\u0436\u043e\u043d-\u041c\u0430\u043b\u043a\u043e\u0432\u0438\u0447.jpg\" alt=\"\" width=\"1387\" height=\"790\" srcset=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/\u0410\u0433\u0435\u043d\u0442-\u0415\u0432\u0430-2020-Ava-\u043a\u0430\u0434\u0440\u044b-\u0444\u0438\u043b\u044c\u043c\u0430-\u0414\u0436\u043e\u043d-\u041c\u0430\u043b\u043a\u043e\u0432\u0438\u0447.jpg 1387w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/\u0410\u0433\u0435\u043d\u0442-\u0415\u0432\u0430-2020-Ava-\u043a\u0430\u0434\u0440\u044b-\u0444\u0438\u043b\u044c\u043c\u0430-\u0414\u0436\u043e\u043d-\u041c\u0430\u043b\u043a\u043e\u0432\u0438\u0447-768x437.jpg 768w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/\u0410\u0433\u0435\u043d\u0442-\u0415\u0432\u0430-2020-Ava-\u043a\u0430\u0434\u0440\u044b-\u0444\u0438\u043b\u044c\u043c\u0430-\u0414\u0436\u043e\u043d-\u041c\u0430\u043b\u043a\u043e\u0432\u0438\u0447-1240x706.jpg 1240w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/\u0410\u0433\u0435\u043d\u0442-\u0415\u0432\u0430-2020-Ava-\u043a\u0430\u0434\u0440\u044b-\u0444\u0438\u043b\u044c\u043c\u0430-\u0414\u0436\u043e\u043d-\u041c\u0430\u043b\u043a\u043e\u0432\u0438\u0447-508x289.jpg 508w\" sizes=\"auto, (max-width: 1387px) 100vw, 1387px\" \/><\/p>\n<p>Try as they might, none of the actors in this film can make their characters compelling in any way. Not even bit-players like Joan Chen, Jess Weixler or Diana Silvers, adding some female heft to what could have been a total sausage-fest, can muster the enthusiasm to give a shit, or work their limited and execrable dialogue into anything the audience will care for. Colin Farrell has the best time playing the cheesy, sneering bad guy in a film filled with bad guys, mirroring a similarly effective turn in Guy Ritchie&#8217;s recent <em>The Gentlemen,<\/em> but it&#8217;s a low tide in a big ocean of cliches as <em>Ava<\/em> turns from seemingly character-driven think-piece into turgid half-assed actioner.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-60342\" src=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/jessica-chastain-ava-02-700x400jpg.jpg\" alt=\"\" width=\"700\" height=\"400\" srcset=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/jessica-chastain-ava-02-700x400jpg.jpg 700w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/jessica-chastain-ava-02-700x400jpg-508x290.jpg 508w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>It doesn&#8217;t help that Tate Taylor&#8217;s direction is incapable of generating even the slightest movement of the excitement needle, the film sputtering to start as Ioan Gruffud&#8217;s pre-title businessman-turned-mark is offed by Ava&#8217;s slick antics before diving into melancholy angst and undercooked pseudo-intellectualism sandwiched into a generally brisk but opaque overall tone of disinterest. It&#8217;s just <em>a boring movie<\/em>, with neither characters nor story offering a sliver of interest to keep the audience watching. The cinematography is bland and flat, the score by an atypically inadequate Bear McCreary (<em>The Cloverfield Paradox<\/em> and <em>Godzilla: King Of The Monsters<\/em>) is especially meandering, and the editing of the film&#8217;s requisite action sequences is frenetic but ineffective. It doesn&#8217;t help that Chastain doesn&#8217;t feel like an action heroine, lacking the musculature or physicality of, say Charlize Theron in <em>Atomic Blonde<\/em>, Bridget Fonda in <em>Point Of No Return<\/em>, or even Geena Davis herself in <em>The Long Kiss Goodnight<\/em>. She&#8217;s a great actress with the right material, but this material takes itself far too seriously for such a silly premise to carry itself comfortably on her shoulders.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-60346\" src=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/f514aa7b09cebf7faf02bde2d09dac200c7d4206.png\" alt=\"\" width=\"1200\" height=\"600\" srcset=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/f514aa7b09cebf7faf02bde2d09dac200c7d4206.png 1200w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/f514aa7b09cebf7faf02bde2d09dac200c7d4206-768x384.png 768w, https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/f514aa7b09cebf7faf02bde2d09dac200c7d4206-508x254.png 508w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/p>\n<p><em>Ava<\/em> is an entirely missable action thriller that is light on action, absent any thrills, and wastes a great cast on D-grade material. It all stems from the writing: regardless of who touched the script, and I can&#8217;t believe Newton was entirely responsible for this mess, Ava&#8217;s stupid insistence on trying to make a silk purse from a sows ear is its chief failing as a movie. A film this dumb is one you can skip.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-42471\" src=\"https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2016\/03\/E-Rating.jpg\" alt=\"\" width=\"984\" height=\"100\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Principal Cast : Jessica Chastain, John Malkovich, Common, Geena Davis, Colin Farrell, Ioan Gruffud, Joan&#8230;<\/p>\n","protected":false},"author":48482,"featured_media":60338,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-60335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movie-review"],"featured_image_urls":{"full":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000.jpg",1200,675,false],"thumbnail":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000-500x280.jpg",500,280,true],"medium":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000-660x365.jpg",660,365,true],"medium_large":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000-768x432.jpg",640,360,true],"large":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000-840x675.jpg",640,514,true],"1536x1536":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000.jpg",1200,675,false],"2048x2048":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000.jpg",1200,675,false],"covernews-featured":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000.jpg",1024,576,false],"covernews-medium":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000.jpg",540,304,false],"profile_24":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000-24x24.jpg",24,24,true],"profile_48":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000-48x48.jpg",48,48,true],"profile_96":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000-96x96.jpg",96,96,true],"profile_150":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000-150x150.jpg",150,150,true],"profile_300":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000-300x300.jpg",300,300,true],"sow-carousel-default":["https:\/\/www.fernbyfilms.com\/wp-content\/uploads\/2020\/09\/ava-1200-1200-675-675-crop-000000.jpg",272,153,false]},"author_info":{"display_name":"Rodney Twelftree","author_link":"https:\/\/www.fernbyfilms.com\/author\/rodney\/"},"category_info":"<a href=\"https:\/\/www.fernbyfilms.com\/category\/movie-review\/\" rel=\"category tag\">Movie Review<\/a>","tag_info":"Movie Review","comment_count":"0","_links":{"self":[{"href":"https:\/\/www.fernbyfilms.com\/wp-json\/wp\/v2\/posts\/60335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fernbyfilms.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fernbyfilms.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fernbyfilms.com\/wp-json\/wp\/v2\/users\/48482"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fernbyfilms.com\/wp-json\/wp\/v2\/comments?post=60335"}],"version-history":[{"count":0,"href":"https:\/\/www.fernbyfilms.com\/wp-json\/wp\/v2\/posts\/60335\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fernbyfilms.com\/wp-json\/wp\/v2\/media\/60338"}],"wp:attachment":[{"href":"https:\/\/www.fernbyfilms.com\/wp-json\/wp\/v2\/media?parent=60335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fernbyfilms.com\/wp-json\/wp\/v2\/categories?post=60335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fernbyfilms.com\/wp-json\/wp\/v2\/tags?post=60335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}