Movie Review – Pinocchio (1940)
- Summary -
Director : Ben Sharpsteen, Hamilton Luske, Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Bill Roberts.
Cast : Voices of Cliff Edwards, Dickie Jones, Christian Rub, Evelyn Venable.
Censorship Rating : G
Target Audience : Animated, kids, adventure.
Length : 88 Minutes
Synopsis: When a wooden marionette is transformed into a living entity by the Blue Fairy after a lonely toymaker makes a wish, to prove himself worthy of becoming a real boy, he must prove himself brave, truthful and unselfish: which is harder than it seems with so much temptation around him.
Review : Pure, cinematic gold. While many people will probably skip this film in favour of the latest CGI mush from Dreamworks, Pinocchio deserves to be seen large and proud here in a digital format, full colour and larger than life. After all, the popular character from Shrek cannot be the only way kids today know of the famous marionette. Surely. Pinocchio is an animated masterpiece, and should not be missed.
Our Rating : 10/10. A must see.
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This film is a magnificent cinematic achievement. And that’s putting it lightly. Disney’s Pinocchio is a devastatingly lavish, luscious and delightful animated feast for the senses, both artistically and musically. Barely a frame of this film is anything less than perfection. It’s golden, a warm, frightening, often poetically made film filled with lovely characters and a sense of the sublime. This, quite simply, is Walt Disney at his absolute finest. As each of these classic films are released on DVD and BluRay as part of the Platinum Series, I keep being blown away with just how… well, awesome each of these early films actually are. A lot of people give the Disney Corporation a bit of grief these days about their overt commercialisation, and their somewhat cavalier attitude towards their inherited legacy of animation. And to some extent, perhaps that rightly so. After all, Disney have successfully whored their product out in a variety of ways that has effectively distilled their wares into nothing more than soft-core family-oriented slop: direct-to-video sequels of their most enduring and popular characters, for example, is only one instance that I can cite where they’ve tarnished their massive history.
Pinocchio dances for Figaro... Thanks to Geppetto.
