April 5, 2012

Movie Review – Limitless

Filed under: Movie Review — Rodney Twelftree @ 12:01 am
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Limitless Review Logo v5.1 Movie Review   Limitless

- Summary -

Director :  Neil Burger
Year Of Release :  2011
Principal Cast :  Bradley Cooper, Robert DeNiro, Abbie Cornish, Anna Friel, Johnny Whitworth, Andrew Howard.
Approx Running Time :  105 Minutes
Synopsis:  When he takes a drug designed to maximize the use of the human brain, Eddie Morra decides to use his new-found powers of intellect for his personal gain. Working the stock market and gaining the attention of some powerful people, Eddie must escape his vaguely shady past in order to ensure his incredibly bright future – the choices he makes are not without consequences.
What we think :  Uneven plotting only barely unbalances this tense semi-sci-fi thriller, with Bradley Cooper more than holding his own in the leading role opposite DeNiro. The film doesn’t dwell on intricacies all that much, instead opting for visual panache and a breathless, almost hyperbolic trajectory of excitement, cool and hell yeah. Limitless is a frivolity at best, but it’s great to watch and enjoy for the simple premise it gives us.

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What if? “What if…?” is probably the single greatest question ever posed in all of human history – it’s been used as a catalyst for war, exploration, discovery and grief, loss and pain. Science fiction, hell, even good fiction generally, is a great tool for posing such hypothetical questions to us all, and Limitless asks yet another interesting question: what if we could access the entirety of our brains. I don’t mean the functions we use for breathing, moving and other reflexive functions, no, I’m talking about using the entirety of our capacity for intellectual, imaginative thought – what if instead of using the “1 third” of our current capacity we could access all of it? Makes for a salivating hypothesis, doesn’t it? While Limitless never really broaches the full potential of this question (which, if you’ve seen the film, is an irony in itself), this fantasy writ large comes into being thanks to director Neil Burger and uber-hunk Bradley Cooper.

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This is my rock-hard stare.

Eddie Morra (Bradley Cooper) is a down-and-out writer struggling to pay the rent or even write a word of his impending novel. He’s broke, his girlfriend Lindy (Abbie Cornish) has broken up with him, and he’s suffering a severe case of writers block. After a chance meeting with his ex-brother-in-law Vernon (Johnny Whitworth), Eddie is handed a golden opportunity in the form of a new kind of drug – one that expands the human brain to its maximum potential. Eddie takes the drug, and sits down to write the first 40 pages of his novel without a pause. His mind is clear, he’s thinking straight, and he’s able to pull knowledge from places he didn’t even know he had. But then, the next morning, the drug wears off – and he needs more. Returning to Vernon’s place, he finds the guy murdered, obviously somebody trying to locate the drugs. Ransacking Vernon’s apartment, Eddie locates the massive stash of pills, and things start to look up for him as he takes his new-found mental ability for a spin. Eddie starts to play the stock market, using money from a violent money lender (Andrew Howard), to make a small fortune, before his antics are eventually noticed by boys at the Big End of Town. He’s approached by mega-wealthy businessman Carl Van Loon (Robert DeNiro), a horribly monikered individual who recognizes talent when he sees it, and tries to exploit it for his own gain. Happy to oblige as long as he makes money, Eddie soon learns that with such power and responsibility, shadows of his past he’d prefer to keep secret start to become bigger problems. The money lender discovers the secret of Eddie’s drug, and threatens to kill Eddie unless he provides him with more. Add to that the side effects of not continuing to take the drug, or taking too much, and you have an edgy, tense Eddie threatening to undo all his good work.

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Neo took the red pill, and look where that got him….

What would you do if you could remember everything, and calculate things several dozen steps ahead of everyone else? You’d almost be a god, right? Limitless explores this eventuality through the concept scripted by Mrs Doubtfire/Pay It Forward writer Leslie Dixon. Dixon’s tried to give the story an emotional core, with a downtrodden-but-morally-upright Eddie Morra being given an opportunity to become a better man through admittedly illicit means. Eddie’s not a bad guy, but his moral compass certainly sways sideways at times during this film, a film which essentially plays upon the motivation of greed and money as the reward for success. The concepts at play here are quite apropos considering the way the world is heading as I write this. Naturally, as soon as Eddie figures out that he can perform complex calculations and thought processes at speed, he wants to make money, and does what any aspiring wealth-hound would do: play the stock market. Where Eddie is different from you or I, however, is the premise that he’s only doing it long enough to set himself up for something bigger. Mayor. Senator. President. You name it, with this power, the sky is the limit. Altruistic intent aside, Eddie must cross some dark boundaries in order to achieve his own personal nirvana, and it’s a fascinating journey for us to watch.

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Hey, you guys do see that bloody big ocean over there, right?

Limitless is a morality fable, I think, at least that’s how it seemed to me. The abuse of limitless power, and the consequences of that. You’d be forgiven for wondering exactly why I’m waxing philosophical here, at least more than normal, but isn’t there a part of you that hasn’t pondered what you would do if you had some kind of superpower? Of course you have. Unlike Superman, say, Eddie is merely a human, and his power is derived from an experimental drug, which indicates a finite-ness to his journey since drug manufacture can be stopped, ending his run of good fortune. He does what any good boy would do: he beds gorgeous women, flaunts his ability in front of the movers-and-shakers and generally becomes a bit of a show-pony. It’s only after a critical misstep that he realizes that he must put all his efforts into ensuring – at any cost – his future. It’s a tantalizing prospect, and one I don’t think Limitless quite has the momentum for. Neil Burger’s film has some excellent stuff going on inside it, even if sometimes that stuff tends to be a little ponderous and ham-fisted in its execution. The script is wildly uneven in tone, switching from the cheeky smarm of Cooper’s playboy caricature to the brutal, frantic comedown Eddie who must literally fight tooth and nail to survive personal attacks by violent gangsters, and this is all mixed up with a business-y deal with DeNiro, and a semi-romantic theme with Abbie Cornish as Lindy. The film deviates from a more pure science fiction aspect to an action/thriller one with a kind of blunt force trauma style, as if Burger has to make it obvious what we’re supposed to be thinking and feeling along the way, instead of allowing the film to flow and simmer along naturally. It’s not a major issue, not in the least, but it does keep this film from being exceptionally good.

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I’ve got a secret and the only way your finding out what it is is to kiss me until my toes curl up.

Cooper’s a solid enough actor, and he plays his part here with style and strength – we believe he’s Eddie, and we are drawn on his journey from the lows to the highs with adequate requirement. We want Eddie to succeed, seemingly regardless of the personal cost, which is perhaps a frightening thing to be thinking when he’s having the shit kicked out of him by the gangsters. At what point do we sacrifice personal morals and ethics for the sake of success? To me, this is the most basic question Limitless asks. Cooper aside, DeNiro is better than he’s been in ages with what is essentially an extended cameo part, playing the mega wealthy Carl with typical efficiency of character. Cooper stands right next to DeNiro, an actor of incredible standing in the Hollywood community, and keeps up with him in the performance stakes here, even though the occasional bug-eyed routine does stop Cooper’s charm from really hitting the home run he deserves. I’ve always enjoyed Coopers work, and he’s again quite solid here, almost Mel Gibson-esque with his emotive passion and enthusiasm for the role. Abbie Cornish is window dressing, playing the on-again, off-again girlfriend part with just enough nuance to make her only slightly less cardboard than she was in Sucker Punch. Bit roles to Johnny Whitworth and TV Carpio as Eddie’s ex brother in law and wife respectively are lip service only, and the requisite secondary characters (such as the villainous gangsters) round out the roster of this film with bland, directionless people.

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Damn, I still can’t solve 18 down…

Limitless is directed quite well by Burger, with a sense of stylish verve and brevity of excess accompanying the films major set-pieces – a gangster brawl and shoot-out in Eddie’s apartment towards the end of the film is genuinely suspenseful, although a chase between Lindy and one of the films secondary henchman-villain types through Central Park is less so – for some reason, it was during this moment that I had a flashback to the old Roger Ramjet cartoons, where he pops a proton pill, and the line in the theme tune “when Ramjet takes a Proton Pill the crooks begin to worry”…. I had to laugh when Lindy herself takes a pill to escape pursuit, because I suddenly had an image of her turning into Roger Ramjet. There’s some questionable moral themes about illicit drugs throughout Limitless that actually make a person pause and ask the question: is this film seriously trying to justify the taking of drugs to get ahead? Anyway, back to the direction by Burger. The film has one quite obvious thematic device it uses to differentiate between Eddie’s enhanced state and his normal state – as Enhanced Eddie, the color palette of the film becomes exceptionally bright and highly contrasted, while in Eddie’s normal drug-free state, the image is washed out and almost lifeless, a little like Eddie himself. I’d almost say this was a cool way of indicating what state Eddie was in, if it wasn’t so obvious.

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You got a business proposition for me?

That said, it’s hard to fault a film which is so obvious in its intent that most of the above doesn’t really matter. Hell, it’s a piece of philosophical dialogue being manipulated into a piece of escapist entertainment, and on that level, Limitless succeeds. It’s hardly the brain teaser I’m making it out to be, but it is quite a decent thriller if you’re prepared to divorce yourself from the obvious drug related connotations. Cooper’s eminently watchable, he’s ably backed up by DeNiro, and the plot twists and turns make for a breathless thrill-ride across and through New York City. Limitless doesn’t quite know when it’s hit its own limits, but that doesn’t stop it being any less fun.

8 Star Movie Review   Limitless

 

 

 

 

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Rodney is the Editor-In-Chief of Fernby Films, and has been appreciating films seriously since 1993. Rodney’s first foray into online reviews was for a now-defunct online Australian DVD store, before starting up fernbyfilms.com when that enterprise fell through, in 2007. Rodney lives in the South Australian city of Adelaide, with his wife and two young children, whom he loves very much.

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12 Comments »

  1. I liked this film, but didn't love it.

    I hated the endless zoom effect after the 15th time! I know it was there to show the effect of the drug but it did my nut in!

    I enjoyed it more the second time I watched it after watching the extras and learning about the different film stocks used to create the different states of mind of Cooper!

    Clever

      Scott Lawlor — April 6, 2012 @ 3:14 am

  2. Is this really a real movie? How is it that i haven't heard of it? i love DeNiro and i've been into Anna since "Pushing Daisies"…

    Until i find a copy of this for real, i'mma go on the assumption that you are now making up movies to review in order to save money on Blu-rays. Which, in the long run, isn't a bad idea.

    Let me try.

    _____________________________________________________________

    "In Finite" with Keira Knightley, Mélanie Laurent, Ryan Gossling

    Directed by Sean Penn

    3 1/2 Stars

    Based on a true story, the basic idea is that two women both fall in love with a mysterious blogger (portrayed by Ryan Gossling) and set out to win his heart. In this action packed tale, the blogger leads two separate lives until the two women happen to meet each other in a bar. After an evening of bingeing on Tanqueray, all 3 wind up back at the blogger's New York Penthouse for an evening that sizzles the screen.

      Al K Hall — April 6, 2012 @ 12:43 pm

  3. This movie sort of flew past me, I just wasn't interested in it for whatever reason. Maybe it's the lead actor, I actually find Cooper's gorgeous mug rather irritating, ha!

      ruth — April 6, 2012 @ 6:03 pm

  4. @ Al – I have dibs on first option on that movie. you write the script, I'll direct and no doubt Miss D can play Ryan Gosling's fluffer….. ;)

    @ Ruth – Yeah, I gather from reviews and articles around the web that Cooper is a bit of a hit-and-miss appeal for most people…. You should give this a shot, though. It's worth at least one look!

      Rodney — April 6, 2012 @ 9:41 pm

  5. Actually not that bad. It was far from perfect but I was happily surprised despite some fairly large plot holes. Nice review

      3guys1movie — April 11, 2012 @ 12:22 pm

  6. Thanks 3Guys! Glad you could stop on by!! I think that's the general consensus with this one: happily surprised!

      Rodney — April 11, 2012 @ 8:24 pm

  7. Better than expected. Good review, as you say, an interesting "what if" premise. If we are all at the top of our game and felt no pain, what would the world look like? Limitless is so relevant today I think, a warning about all the side-effects of medicine. On top of that was an entertaining movie, and for the girls there was B.Cooper. I thought the ending was a bit sudden and the weakest part, as if they didn’t know how to finish the film. 7.5/10 for me

      Chris — April 12, 2012 @ 4:22 am

  8. Thanks Chris! I agree re the ending being the weakest part, and in hindsight I think you're right about the filmmakers not knowing how to "finish" the film properly, with any kind of resolution that would appeal to audiences. I think had the film tried to focus more on the sinister implications of the "medicine", as you put it, this could have worked as a genuine genre thriller, instead of the popcorn yarn it turned out to be. Thanks for dropping by!

      Rodney — April 12, 2012 @ 4:33 am

  9. I was intrigued by the prospect of the film, didn't overhype it, and was very pleasantly surprised by the whole affair. Cooper is looking more and more like a leading man and I cannot wait to see what he will do with Ryan Gosling in The Place Beyond the Pines.

      Fitz — April 13, 2012 @ 7:49 pm

  10. Thanks Fitz! I don't really understand the online rage against Cooper as a genuine leading man, because I always find him eminently watchable. Even when he's at 110% in films such as The A Team, he still has charisma and effortless screen charm, and there's not too many younger actors coming along (you mentioned Gosling, who could also fit right in as an A-lister leading man) who can boast that skill. Cooper vs Gosling, eh? Sounds like it'll be a real battle of the smouldering good looks, right?

      Rodney — April 14, 2012 @ 1:17 am

  11. I kinda liked Limitless but given the premise, I was shocked by how little creativity was put into the plot. I mean if you imagine yourself getting that pill, you would go to town with the limitless amount of awesome scenarios you could put yourself in. None of that in this movie sadly… I thought it was kinda poorly paced and I just wasn't a big fan of the direction of the movie. In any case, decent flick enough but could have been so much more with a better script and director.

      Castor — April 16, 2012 @ 2:04 am

  12. Hmmm, I guess it could have been better had they made Bradley Cooper more hedonistic with his "powers", but I think it was more realistic this way – and I think that worked to make the film feel grittier and less fantastical. But I get what you're saying, my friend!

      Rodney — April 16, 2012 @ 3:31 am

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